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Who We Are

Who We Are

Picasso in Paris is a project of PiP Entertainment, LLC, a Texas limited liability company based in Willow Park, Texas. The Company is manager-managed by Hawkins Art Enterprises, LLC (“HAE”). Each project runs through a wholly owned subsidiary: PiP Theatrical Development, LLC; PiP Productions, LLC; PiP Roadwork, LLC; Pursuit Pictures, LLC; Antechamber Studios, LLC; and ECHO Immersive, LLC.

The Team

Meet the Team

Sir Kenneth W. Hawkins

Founder, CEO, and Creative Authority; Co-Author (Book); Additional Music & Lyrics

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Paul W. Cozby

Book · Music · Lyrics

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Randy McGuffee

Partner, General Counsel & Operating Principal

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Patrick Ray Andrews

Music

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Luis F. Bañuelos

Music (Composer)

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Eric Genuis

Additional Music

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Agustin Alonso

Orchestrations

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Ken Denison*

Attached Executive Producer, Aruba Productions

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*Attached; see the attachment notice below. Director, choreographer, and costume designer are shown on The Musical.

*Certain individuals and entities described as “attached” have expressed their intent to participate in Company productions subject to the execution of definitive written agreements. Such attachments do not constitute binding contractual commitments and are subject to change.

Biographies

Sir Kenneth W. Hawkins · Founder, Chief Executive Officer, and Creative Authority · Co-Author (Book); Additional Music and Lyrics

Sir Kenneth W. Hawkins is the originating creative force and ultimate artistic authority of the franchise. A knighted author and former mayor, Sir Kenneth brings a multidisciplinary perspective to the enterprise – spanning computer programming, investment advising, custom home design, and a lifelong commitment to art, history, and cultural peacebuilding. The franchise traces its origin to Sir Kenneth’s 2010 acquisition of works attributed to Pablo Picasso, including the Artwork, and the years-long research journey through art history, the Second World War, and the occupied-Paris art world that followed. That research inspired the Musical, which he co-authored. As CEO and Co-Founder, Sir Kenneth holds final creative authority over artistic decisions, maintains the originating vision of the franchise, and serves as its primary public ambassador. Sir Kenneth owns the Artwork and the Underlying Rights and is an Author of the Musical.

Paul W. Cozby · Co-Author, Composer, and Lyricist

Paul W. Cozby is an award-winning playwright originally from Texas and now based in New York, known for crafting the book, music, and lyrics for original musicals. His works include Babes at Sea, Panther City, and Herbert Hoover High School Presents – Cyranose! The Musical. In collaboration with composer Laura Bergquist, Mr. Cozby wrote the book and lyrics for Wreck the Halls! The Christmas Letters Musical, which premiered in New York in 2018 and has since enjoyed regional productions nationwide. His work has been a finalist for the prestigious O’Neill Center National Musical Theater Workshop and was showcased in Theatre Now’s Sound Bites 10-Minute Musical Festival. His corporate satire musical, The Day Traders, was produced by Bull Market Productions at The Triad in New York.

Randy McGuffee · Partner, General Counsel, and Operating Principal

Randy McGuffee serves as General Counsel and an operating principal of the Company and of HAE, with authority over legal structure, capital formation, strategic planning, financial oversight, and business development. Mr. McGuffee is a licensed Texas attorney with more than thirty years of experience across transactional law, corporate governance, litigation, and entertainment consulting. He is a graduate of the University of Texas at Austin and the principal of McGuffee Consulting Group. For the Company, he structured the multi-SPV operating architecture, prepared the offering documents governing this capital raise, negotiated key production and vendor relationships, and oversees day-to-day legal and operational functions. Mr. McGuffee also concurrently serves as General Counsel for STZY, LLC, and provides independent legal and strategic advisory services through McGuffee Consulting Group. Mr. McGuffee’s preparation of the Company’s organizational and offering documents is a related-party matter; counsel to the Company does not represent investors.

Patrick Ray Andrews · Composer

Patrick Ray Andrews is a seasoned composer, arranger, educator, and pianist with deep expertise across classical, jazz, traditional, and contemporary music. Trained at the Eastman School of Music, the University of North Texas, and the Conservatory of Nice in France, Mr. Andrews brings an internationally informed musical perspective to the score. He teaches in the Community Education program at Tarrant County College and serves as a regular keyboardist for Dynamic Swing. His collaborations with Paul W. Cozby have spanned multiple musical theater projects, including a full-length opera. Based in Fort Worth, Texas, Mr. Andrews’ eclectic compositional style is well-suited to the Parisian and wartime themes at the heart of the Musical.

Luis F. Bañuelos · Composer

Luis F. Bañuelos is a gifted composer and multi-instrumentalist based in Fort Worth, Texas. A self-taught master of both piano and guitar with a phonographic memory, Mr. Bañuelos has performed at exclusive events from Bel-Air to New York City. His diverse portfolio includes recording audiobooks, producing music across multiple genres, and a developing focus on film scoring and video game composition. Committed to community impact, he supports underprivileged youth through music education. Mr. Bañuelos brings a fresh contemporary voice to the musical palette.

Eric Genuis · Additional Music

Eric Genuis is one of the Musical’s Authors and, with Sir Kenneth W. Hawkins, wrote the music for the song “Arise.”

Agustin Alonso · Orchestrations

Agustin Alonso is the orchestrator of Picasso in Paris.

Ken Denison | Aruba Productions* · Attached Executive Producer, regional production

Ken Denison, through his organization Aruba Productions, serves as a general management and executive producing entity with a global production footprint. Mr. Denison served as Associate Producer for Disney’s The Lion King on Broadway and productions worldwide – one of the most commercially successful theatrical productions in history. He served for fifteen years as General Manager and Director of Production and Operations for the Old Globe Theatre in San Diego, one of the most respected regional theater institutions in the United States. His additional credits include Executive Producer of Desperate Measures, Doctor Zhivago (Australia), and An Officer and a Gentleman (Australia); Associate Producer on Bombay Dreams, Elephant Man, and Flower Drum Song (Broadway and Australia); productions of Human Nature (Las Vegas and worldwide), Back Home Again, and Broadway & the Bard (starring Len Cariou); and Executive Producer roles on a number of Faith Performing Arts touring productions.

*Ken Denison and Aruba Productions are attached to the regional production subject to execution of a definitive producing agreement.

Concept Overview

From Page to Stage

The rights behind the show

PiP Entertainment, LLC does not own the Musical. The Authors own the copyrights in Picasso in Paris, and the Company holds a license from them. A first-class production must open by December 5, 2030, and rights revert if exploitation ceases for nine consecutive months. Live-stage rights cover the U.S., U.K., Australia, and New Zealand. Audiovisual and immersive rights have not been secured; the Company holds only a right of first negotiation. Image rights in The Lost Dove are licensed by Sir Kenneth W. Hawkins to Hawkins Art Enterprises, LLC, and by HAE to the Company.

Where We Are in Development

Picasso in Paris has a completed book and score and has been presented in table reads in New York and in concert. The next planned stage is a fully professional regional theatrical production (Class M-R). If that production demonstrates commercial viability, the Company contemplates a Broadway production (Class M-B), followed by a touring production (Class M-T). Each stage depends on financing and on definitive agreements, and the Company does not represent that any project will proceed on this sequence or timeline.